Pearls, Princesses, and Perspective

Way back when my book idea first started taking shape, it took me a while to figure out how to frame it, even whether to write it as fiction or nonfiction. If it were fiction, I figured, it would probably be of the literary sort, because that’s mostly what I read back then, plus I knew I wanted to pluck interesting details from history and current affairs to layer my story. Then I stumbled across a unique mystery series by Sujata Massey, and it changed everything.

I wish I could remember which of her books I’d read first. It may have been Zen Attitude or The Samurai’s Daughter. I don’t remember now because after I read that first one, I devoured the rest of the series in a matter of weeks. The series follows Massey’s protagonist, Rei Shimura, a hip, twenty-something Californian with a Japanese father and American mother, on her adventures between San Francisco and Tokyo, two worlds in which she is equally comfortable, as she hops between jobs and love affairs across the continents. 

Along the way, Rei gets swept up in various intrigues, mostly involving murder, and readers get to learn about all kinds of interesting stuff—from antiquing, diplomacy, pearls, tropical storms, homophobia abroad, war crimes, age-old Japanese customs, and so much more. Massey’s writing is always a treat. I was sorry when in 2008, she ended her successful series with the tenth installment, Shimura Trouble. (On the upside, she has a forthcoming historical suspense novel set in India we can look forward to. Can't wait.)

I hadn’t read many mysteries before these, but soon I began devouring other mystery subgenres, such as police procedurals, cozies, thrillers, historical, and futuristic. And yet Massey's series still stands out. She featured a main character who essentially grew up in several cultures and so approached life and crime-solving from her own unique perspective. As a reader, I loved the ease with which her protagonist moved from one world to another and how Massey was able to cover so many elements through this type of fiction that I too wanted to write—cultural themes, obviously, but also generous dabs of historical context, societal issues, travel, and of course, lots of adventure and mystery.

It’s taken me a while to find other authors who bridge such cultural divides, but they’re out there. My favorites are the Scandinavian authors. Of course, most everyone’s heard about, if not read, Swedish author Stieg Larsson’s runaway-bestselling thrillers. But there are quite a few fine novelists from his part of the world whom you should not miss.

One of my favorites is Icelandic author, Arnaldur Indradason, and in particular, his book, The Draining Lake. It features a detective investigating a crime that connects two cultures I knew very little about—Iceland, of course, but also communist-era Leipzig, Germany. Don’t let the remoteness of either place put you off. It’s an incredible story that weaves readers between the present and the Soviet era and two fascinating cultures that will leave you wanting to know more about each of them.

Henning Mankell connects crimes that take place in his native Sweden to events around the world, using settings as compelling as China, Eastern Europe, and across Africa. Norwegian author, Karen Fossum, wrote a novel called The Indian Bride that I found especially intriguing because it gave me a balanced view on how rural Norwegians view both immigrants and India.

Another of my favorites is Lisa See’s fascinating Red Princess Mystery series. Her powerful, intricate thrillers center on a pair of main characters—one an ethnic Chinese raised in the States and another an American who moves to China—caught up in international intrigue. See weaves in cultural and political topics seamlessly.

What books have you enjoyed, mystery or otherwise, that gave you a glimpse into life in other countries?

Supriya's Story

Growing up in Ohio and later Texas might not have prepared me for writing novels about Indian communities around the world, but listening to a steady stream of rich, colorful stories on regular trips to India might have had something to do with it. That and trying to explain, sometimes defend, my “other” culture on opposite sides of the globe. The one of my birth, the other of my roots.

Storytelling is in my blood. It even guided my choice of journalism as a career. Stories about cultural intersections have always held a particular fascination for me. As a magazine feature writer, I wrote a piece about refugees, another about the children of migrant workers. As a newspaper reporter, I covered the hidden underclass in a small affluent community. One of my most cherished interviews was with an elderly gentleman who, as a young boy, rode through the Mexican desert with Pancho Villa, the Mexican freedom fighter, before finding his way to Houston and, with limited English, establishing himself as a successful restaurateur.

Still, it took years of thinking about it before I finally took the plunge and began writing fiction. I’d had an idea for a novel that often kept me awake at night, one that eventually evolved into an international suspense series set in the Indian diaspora.

Breathing in Bombay is the story of Indian-American Diya Rao, who moves to Mumbai to pursue her dream of becoming an entrepreneur. Soon after her arrival, the favorite aunt she’d been staying with is murdered, and the killer is on the loose. Devastated but determined to not give up and move back to D.C., Diya uncovers a trail of family secrets, corporate intrigue, and social causes gone wrong. The story is set in the summer of 2005, against the backdrop of an actual historic monsoon flood and environmental catastrophe that engulfed the city. As the water recedes, Diya’s quest for purpose and adventure in a new city becomes a fight for her life.

Writing this book was exceptionally fun. I was able to revisit fond memories of interesting and beautiful places I’d experienced during childhood vacations to India as well as take great trips in the name of research.

This summer, I put the finishing touches on Breathing in Bombay and started the search for an agent. I’m hard at work on a sequel, Chasing Cairo, and hope to complete a first draft by the end of the year. With any luck, I may even squeeze in some “research” time in Egypt!

Thanks for checking out our blog! We hope you’ll stay with us on our novel adventure.