Showing posts with label Off The Beaten Track. Show all posts
Showing posts with label Off The Beaten Track. Show all posts

Friday, June 14, 2013

Off the Beaten Track: Danita Cahill, Western Photographer

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We take great pleasure in welcoming the talented and lovely Danita Cahill who is a freelance photographer and writer specializing in all things western. 

Alli, thanks for having me today. What an honor!

How old were you when you got your first camera?

I got my first little Kodak point and shoot for my 10th birthday.

When did you start specializing in western photography?

I started “specializing” in western and rural images right away. My favorite subjects to snap photos of were the animals on our farm. 

Do you have a western background?

I’ve lived my entire life in the Pacific NW, all but my first two years in Western Oregon. Most of my life has been spent living in the country. My husband and I and our two sons live on five acres. We keep lots of animals, including two dogs, a horse and a small herd of alpacas.  I still love shooting photos of animals – mine and those belonging to others.

When I was nine, my dad hauled home a truck full of ponies. I bawled with joy. There was nothing I wanted more than a horse – and Shetland ponies fit the bill just fine! I’ve had at least one horse in my life pretty much ever since. My mare Koko, who I’ve had since she was three, just had her 15th birthday.
I rode Koko for over six years as a volunteer deputy with the Linn County Sheriff’s Mounted Posse. Together she and I did armed security duty (carrying revolvers in leather holsters, true old cowboy style), appeared in parades, did community-service functions, and most importantly, did wilderness search and rescue on horseback. 

What sort of photography do you do and how did you get started professionally?

I’ll answer the latter part of the question first. I’ve worked freelance and on staff for a dozen different newspapers over the past 30 years. I started out as a writer and sort of fell into the photography part of the program. When I started writing human-interest pieces, the editors wanted photos to illustrate the stories.

I’m also a photographer for Farm & Ranch Living, a national magazine, and a feature writer and photographer for Ruralite magazine, which is a regional. Sometimes my photos appear in Country and Country Living magazines.

Besides the newspaper and magazine work I also occasionally do wedding photography, and family and senior portraits. One summer I took photos of kids riding bulls for the riders’ parents and grandparents. (Please forgive the writing across the photos. I’ve had some trouble with photo pirating). Recently I did a dog photo shoot for a dog trainer’s website. 






Who is the pretty blond model in so many of your shots?

Ha! Thanks! That’s my daughter, Alyssa. She’s one of my favorite models. She’s a real cowgirl – a horse trainer, barrel racer and a past bullrider. Her husband, Kirk rides broncs. 

To see more of my photography, please check out my website: http://cahillphotojournalism.com/
And my miracles blog: http://miracahills.wordpress.com/
Follow me on Twitter: @DanitaCahill.
Thanks again Alli, this has been a lot of fun!

A couple of parting questions for the photographer inside your readers – how old were you when you got your first camera? And what is your favorite subject to photograph? 



Friday, June 7, 2013

Off The Beaten Track: Travels In Iran


Our guest this week is Adam Jones, Ph.D., Associate Professor of Political Science at the University of British Columbia in Kelowna, Canada. He is the author and editor of over a dozen books, including Genocide:A Comprehensive Introduction (2nd edition, 2010). An avid traveler, Adam has lived and/or voyaged in over 75 countries on every populated continent. In 2012, Adam and his companion, Griselda Ramírez, took a private tour through Western Iran, accompanied by their guide, Mahmood and driver, Samad. Their experiences are documented in Adam’s travelogue, In Iran: Text and Photos, which is available as an e-book. He has graciously permitted us to post an excerpt from the book. The following is an account of Adam and Griselda’s visit to Sanandaj, and Orumanat in Iran’s western Kurdistan Province. More of Adam’s photos can be found on his Flikr site.



Let me confess that I have a soft spot for the Kurds. They are generally considered the world’s largest nation without a state: thirty million or more of them are distributed across southeastern Turkey, northeastern Iraq, western Iran, and a sliver of northeastern Syria.

Kurdish man
Their history is a litany of invasion, betrayal, and genocide. Turkey’s 1930s-era campaign against its Kurdish minority killed tens if not hundreds of thousands. Successive Turkish regimes refused to recognize a Kurdish ethnicity, instead defining Kurds as “mountain Turks.”

When Kurdish nationalists rebelled against Turkish oppression in the 1980s, they sparked a counterinsurgency that turned the southeast of the country into a war zone. The conflict simmers and erupts into major clashes to the present day. In Iraq, a Kurdish insurgency supported by the Shah of Iran prompted Saddam Hussein to view the Kurds as a “fifth column” during the war with Iran. The result was the genocidal “Anfal” campaign of February-September 1988, in which at least a hundred thousand Kurds were killed. The murder by chemical weapons of five thousand Kurdish civilians in the city of Halabja in March 1988 was separate from Anfal as such, but part of the broader pattern of anti-Kurdish extermination.

Iran’s Kurdish population, mercifully, has experienced no such slaughter—whether under the Shah (though he betrayed his Kurdish allies in the 1970s by cutting a deal with Saddam), or since the founding of the Islamic Republic. This is despite the fact that most Iranian Kurds are Sunni, in a country where Shias are hegemonic. The millions-strong Kurdish population is widely distributed throughout the west of the country, divided into several groups that speak sometimes mutually incompatible tongues.

In a little over a year, by coincidence and design, I have traveled in all three of the major population concentrations of the Kurdish “nation.” During travels with Griselda in southeastern Turkey in summer 2011, we explored the ancient city of Diyarbakir, where Kurds are in the majority. A fresh wave of Kurdish political agitation and Turkish military repression followed. I will not soon forget sitting out a thunderstorm by the Iranian border with a couple of Kurds who proudly proclaimed their allegiance to the PKK—the principal Kurdish guerrilla group operating on Turkish territory.

Also in 2011, I was invited by the Kurdistan RegionalGovernment (KRG) in Iraq to participate in a conference on the Anfal genocide, held in the city of Erbil, in the long sliver of northeastern Iraq that the Kurds won as a state-within-a-state following the First Gulf War (1990−91). Their quasi-independent status was strengthened after the fall of Saddam in 2003. The Kurdish zone is the lone part of Iraq that has not descended into catastrophic violence since that Second Gulf War. Supplied with a driver and logistical assistance by the KRG and a couple of crucial NGO connections, I was able to travel widely throughout the zone, including to Halabja and its many moving sites and memorials connected to the 1988 chemical attack.

From the start, I was struck by the inordinate hospitality of the Kurds I met, and their personal vigor. Mahmood is fond of them, too. “I had many Kurdish friends when I was doing my military service,” he says as we drive from Takab toward Sanandaj, the heart of Iranian Kurdish culture. “They are serious people. If they say they will do something, they do it. And they grow up with a gun, a Kalashnikov, as their companion.”
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Kurdish woman in traditional dress
That military prowess certainly imbues the Kurdish men I’ve met, who frequently seem to have stepped straight from a film set. Kurdish women, too, have a public charisma not often found among Muslim females in the Middle East. Their traditional dress is wildly colorful, and they’re often very beautiful, with the strong jawline and penetrating eyes of their menfolk.

We are on the road from Takab by 8:30 a.m. I alternate between mid-morning snoozing and a perusal of Jack Weatherspoon’s Genghis Khan and the Making of the Modern World. We pass through countryside of adobe villages blending imperceptibly into parched yellow hills and red, recently-tilled soil. There are verdant wheat fields, their fronds rippling in the wind that washes across this austere plateau. The occasional turbaned Kurdish farmer moves through the wheat, scythe in hand. Teenage Kurdish boys hitchhike in little knots at the roadside.

Combination mosque/convenience store/ petrol station,
en route to Sanandaj
We arrive in busy Sanandaj around noon, and Griselda and I beg off from our guide to stroll the streets on our own. On every block we are greeted in a friendly way, whether by Kurd or Persian: “Hello, how are you, my dear?” is a typical salutation (directed to me). There are striking Kurdish women in brashly form-fitting clothes. It’s remarkable what a difference a belt makes, accentuating the hips and bust. There are dresses for daily wear in the shops that have necklines, and I notice much henna-treated hair. Among the young men, there are cool dudes with rooster-comb haircuts, looking like South Korean or Japanese pop stars.

Kurdish women's fashions in bazaar, Sanandaj
The streets are packed with commerce, especially agricultural produce: luscious tomatoes, fresh lettuce, watermelons the size of late-stage pregnancies. Griselda is inspired to photograph a few of the Kurdish vendors—all male—and I find myself piggy-backing on her initiative. It’s easier for a woman to ingratiate herself with a female subject, but the men seem positively charmed by her—allowing me to sneak in for follow-up shots.

Elderly Kurdish vendor on street,
Sanandaj
We lunch at the Jahan Nama restaurant, a glitzy place full of antique swords and pistols and gramophones. Mahmood tries to contact a Kurdish friend of his, so he can join us – another tour guide. But the friend just returned from leading a tour to Armenia. I express surprise—do a lot of Iranians visit Armenia? “Yes!” Mahmood asserts. “Iranian tourists go to Armenia, India, Turkey, Malaysia, sometimes Russia.” Making the most of their limited options, in other words. I imagine many Iranian women abandon their hejab once they cross into these countries, while many men head for the pub.

Interior of Jahan Nama Restaurant,
Sanandaj
It’s on for one last, long push into the heart of Iranian Kurdistan. The initial stretch out of Sanandaj is slow going. The road is choked with trucks belching black fumes in our faces. Most are headed for Iraq, and many bear Iraqi license plates. Trade is booming between the two countries—a reminder of the ironic outcome of the 2003 Gulf War, which basically gifted Iran with the Iraqi sphere of influence that Saddam had denied it. Our driver negotiates his way around the obstacles. Soon the road begins to clear, and the vistas open up.

“The Kurds have no friends but the mountains.” It’s perhaps the dictum closest to the Kurdish soul, and entering the precipitous ranges of westernmost Iran, it’s easy to see why. Samad steers us up a frighteningly slender ribbon of highway into a flinty fortress of peaks and valleys. “I took this road once by night,” Mahmood remembers. “At about two kilometers an hour. One mistake and it’s game over.” The road, though, is a real triumph of engineering, and it’s in excellent shape. I am confirmed in my estimation that Iranian roads are, on balance, better than Canada’s—and their engineers confront many of the same geographical and environmental challenges.

Scenery en route to Orumanat
Only in such a mountain fastness, in fact, could the Kurds establish settlements that were relatively immune to the destructive zeal of their tormentors. Our destination is one of the most remote: Orumanat. When I finally find it on the map (thrown, at first, by its transliteration as Howraman), I experience a small shock of recognition. Orumanat lies barely ten kilometers from the Iraqi border, as the crow flies. Another ten or fifteen kilometers further on is Halabja. So these mountains are the same ones I glimpsed from the Iraqi side a year or so ago—the same ones that desperate Kurdish refugees fled towards as Saddam’s chemical munitions rained down on them. More than a million Iraqi Kurds found refuge in Iran during the 1980−88 war—welcomed and sustained by their kin, and by the Iranian regime and Red Crescent. This massive dislocation and humanitarian response was barely noted in the West. Only when Kurdish refugees flooded into Turkey in 1991 did the “CNN effect” take hold, pressuring the US and other governments to establish the “no-fly zone” that forged the Kurdish quasi-state in Iraq.

Village of Orumanat
The scenery is spellbinding as we near Orumanat—ancient terraced hillsides, deep valleys with patches of lustrous green, groves of walnut and apple and pomegranate trees. We arrive at our hotel exhausted and exalted. 

Kurdish mother and child
Orumanat

Friday, May 31, 2013

Off the Beaten Track: The Voice of the Tango—Bandoneón



Our guest today is, Annamaria Alfieri, the author of Blood Tango, which takes place in Buenos Aires in 1945 and imagines the murder of an Evita Perón lookalike.  Kirkus Reviews said of her Invisible Country, “Alfieri has written an anti-war mystery that compares with the notable novels of Charles Todd.”  Deadly Pleasures Magazine called her City of Silver one of the best first novels of the year.  The Washington Post said, “As both history and mystery, City of Silver glitters.”     A world traveler, Annamaria takes a keen interest in the history of the places she visits.  She lives in New York City. You can learn more about Annamaria and her work at her website www.annamariaalfieri.com
Research sparks my creativity as does nothing else.  In studying up for my new book Blood Tango, I learned about some wonderfully interesting people, places, and things.  Like the endlessly fascinating Evita, Buenos Aires—a city both exotic and familiar, and tango, both the music and the dance.  Since I put a lot of romance in my historical mystery novels, tango cried out to be an important part of the story.  I had in mind a couple falling in love while dancing.
One can’t get very far into learning about the dance without studying the music.  And as soon as you start listening to tango music, you hear the bandoneón, an instrument that literally breathes before it sings.  The details of the journey it took from Germany, where it was invented, to the waterfront boites of Buenos Aires are not well documented, but we do know it was born for the Church and ended up in the hands of desperate men who used it to entertain people of the night.

Its inventor Heinrich Band (1821-1860), called it bandonion and intended it to take the place of an organ in poor churches that could not afford the real article. There is no readily available information about the bandoneón's eventual use in religious establishments. What we do know is that German sailors and Italian seasonal workers and immigrants brought the first ones to Buenos Aires at the end of the 19th century.  Bandoneón arrived just as working class newcomers in the sailor’s bars were evolving a fabulous new music and dance art form: the tango. When bandoneóns came on the scene, they changed forever how tango music would sound.

Cousin to the concertina, the bandoneón has buttons—not the typical piano keyboard of an accordion.  This instrument is what makes that wonderful almost-human breathing, gasping, and sighing sound that gives passion to tango music. It is central for tango ensembles, which can also have a piano, often a violin, a guitar maybe or a bass.
It seems a tricky instrument to play. The musicians pull the bellows apart and squeeze them together. The buttons on the ends change the notes, and here's what knocks me out—the buttons play different notes depending on whether the player is pulling the bandoneón apart or pushing it closed.  On top of that, the layout of buttons is different for the right and left hands.  The first instruments were constantly being changed and most of the early versions have different numbers of buttons in different positions on the face plates. In 1924, the number and positions of the buttons were standardized to include 72 buttons that cover a five octave range.   As you can imagine, it takes a lot of concentration, coordination, and talent to master it.

Astor Piazzolla
The most famous recent bandoneón maestro was also the great composer, Astor Piazzolla. Here is a lovely little film of one of his compositions in a performance that brings the bandoneón back to its intended locale—a church. The elegant scene is the wedding in Amsterdam in 2002 of then Prinz (now King) Willem Alexander of the Netherlands to Máxima Zorreguieta Cerruti, an Argentine woman of BasquePortuguese and Italian ancestry. The name of the piece is "Adios Nonino," which given the Italianized Spanish of Buenos Aires, I make out to mean, "Goodbye, Little Grandfather." That may account for the beautiful bride's emotional reaction. Then again, the plaintive voice of the bandoneón could easily have moved her to those tears.







Friday, May 17, 2013

Off The Beaten Track: Mesa Verde



By Jenni Gate

Cliff Palace - one of the largest dwellings in Mesa Verde
Tower in Cliff Palace

These days, Mesa Verde National Park is not too far off the beaten path. It has a rich and mysterious history, a setting high on the mesa cliffs of southwest Colorado with deep canyons and expansive vistas. The Anasazi (ancestral Puebloans) lived on top of the mesas about 2,000 years ago, farming the fertile soils at about 7,000 to 8,000 feet in altitude. The area was most likely settled around 400 AD. By around 1100 AD, resources on the mesa tops were being depleted, and a lengthy drought forced people to the cliffs where water seeped through the sandstone until it hit bedrock, pooling and seeping into springs within caverns. The Anasazi built homes, towers, and kiva structures right in the arched caverns that were cut into the cliff face by erosion. They only lived in these cliff dwellings for about 200 years, and then they disappeared. Modern Puebloan people believe the Anasazi are their ancestors, that the drought drove these ancient people from the mesa and into more fertile parts of the Southwest.
Painting inside Cliff Palace 2-story dwelling


The Anasazi kept dogs and domesticated turkeys. They farmed corn, beans, and squash. The mesa forests provided pinyon and juniper trees.  Various berries were abundant. They traded with other Southwest people for cotton, and they developed unique pottery designs.

Some of the dwellings are decorated with paintings on the walls and hand prints. One of the popular hikes in the park meanders along a boulder=strewn cliff path to a wall of petroglyphs. The petroglyphs throughout the South West only intensify the curiosity about the way people lived, their struggle for survival, and their life in the cliff dwellings. 

30' ladder entry to Balcony House
Through a tunnel & up a cliff face to exit

View from Balcony House











Cougar & Kachina whip petroglyphs


My husband and I went in late April this year, which is a good time to go because temperatures soar into triple digits in the summer, and the altitude takes a toll. Bring plenty of water. The highest point in the park, near the guest lodge, is about 9,000 ft. Most of the sites can be seen from overlooks and drive-to vista points, but if you hike the trails or take the ranger guided tours, be prepared to climb ladders, crawl through tunnels, climb rock faces, clamber over rocks, and be awed by the beauty of this national treasure.

Petroglyph wall