Showing posts with label boating. Show all posts
Showing posts with label boating. Show all posts

Friday, January 4, 2013

Off the Beaten Track: The Owl and the Pussycat at Home – Living and Loving Aboard


Today at Novel Adventurers we welcome the talented Sarah Brabazon who writes romance novels and lives aboard her wooden boat in Tasmania, Australia. She is a Maritime Engineer by profession, and worked as a shore-based design engineer and project manager in Australia and the United States of America. She frequently enjoys chatting to complete strangers, online and in person.

Whenever I mention that I live aboard a yacht, I see people’s eyes gleam with imagined romance. They picture Captain Haddock and me sipping sundowners on the aft deck; romantic evenings watching the moonrise as we feed each other grapes (or oysters); Flotsam and Jetsam (our children), neatly dressed in stripey tops and navy sailor pants leap to co-operate if we suggest a recreational sail. Our crew takes care of any mundane chores that would otherwise interrupt this idyll.

Celebration at the launch of a dream. Photo: Zakimimula


Some days living aboard is exactly like this; I’m anticipating one or two in the coming year. The rest of life however, is much less... and more.
The first boat that Captain Haddock and I owned was simply a means to get out of rental accommodation while living in Seattle. Her name was Lady Love and if she had been a person, she would have spent her days in bed, recovering from late nights swilling gin and smoking cigarettes through one of those long filters that you see in pictures of film stars of the twenties and thirties.

The Lady just home from a wine bar. Photo: Zakimimula

Lady Love was a tri-cabin cruiser built from mahogany ply in an age when craftsmanship mattered and fuel was cheap. Her engines were twin 5 litre V8’s but they barely ran and we couldn’t afford a competent mechanic, so one or other nearly always needed attention. When we opened them up in the middle of Lake Washington, the resulting bow wave was big enough to surf. Lady Love was the ideal boat to take us to lakeside restaurants, to anchor in lake Union on Fourth of July and watch the fireworks, and she provided some of our most treasured memories of living in Seattle, but we hankered after a real yacht; one with masts. We had seen one, years before, gleaming in the Lake Union Wooden Boat Show, far far out of our touch. Her name was Elixir, and she was beautiful.

Schooner Elixer on Portage Bay with the author at the helm. Photo: Zakimimula  
  Elixir was a proper yacht; a gaff-rigged schooner (two masts, smaller one at the front) built entirely of teak in Taipei in the nineteen-fifties. She had been a cargo boat in the Pacific, delivering diesel and other goods in the days when a small island’s only link with civilisation was the monthly supply vessel. She had sunk during a storm while on a  mooring in Hawaii, and the previous owner to us had salvaged her and rebuilt her entirely, replacing just about everything on board except for the teak planking. He spent years labouring over her. After completion, he sailed with wife and son directly to the Oregon Coast from Hawaii. The trip took months (so long that the boy carved scenes of cows and oak trees into the timbers of his cabin in the bow) and the wife filed for divorce on arrival. We first saw Elixir at her gleaming best but over the years neglect began to take its toll and the varnish deteriorated, along with the asking price. Our rule of thumb these days is that maintenance costs ten to fifteen percent of the value of the boat per year, and if we aren’t spending it now, we are banking it for later. Elixir hadn’t had that for several years and the price drop made the broker weep. Inside, she was a study in simplicity and thoughtful design. For a tropical climate, she was perfect. 

At the time, I worked in a ‘white boat’ yard. We built the kind of boats that if you had to ask how much they cost, you couldn’t afford one. When a prospective client called, some discreet enquiries followed and if they weren’t worth upwards of four-hundred million dollars, they didn’t get a call-back. I was a project manager on their smallest vessels, the 124-footers. By day, I would supervise the installation of custom joinery, platinum leafing, sound systems that cost more than the average house, and enough ‘lightweight’ Italian marble to sink a small ship. To make lightweight Italian marble, glue aluminium honeycomb sheet to each side of normal thickness marble (for stiffness), then slice it down the centre; this is half the weight and twice the price of normal Italian marble.

At night, I would go home to my forty-two foot yacht that had no hot water and kerosene lanterns for light. It was the middle of the dot-com bubble. Haddock and I lived like two-bob millionaires. We earned piles but spent every cent. When the bubble burst, we came home to Australia a little older and much, much wiser. 

It took four years to find another suitable boat. Jetsam our oldest son, born in America, gained a little brother, Flotsam. When Flotsam was two, we found Hagar, a thirty-two foot double-ended wooden ketch (two pointy ends and two masts—shortest at the back).

Sailing on the River Derwent. Photo: Richard Phillips
If Hagar were a person, she (yes boats are always she, even when they have a masculine name) would spend her days in flannelette shirts swinging an axe and singing lustily. Nights, she would frequent dockside bars trying to find a bloke who could outdrink her with big enough arms to span her ample bosom. Hagar is a nurturer, but she does it with a gruff voice and a meaty fist. For six years, she has been our home. She has weathered storms and kept us dry, shouldered the Tasman Sea and kept us upright, and consistently rewarded our maintenance efforts with eye-catching lines and an easy motion. For all the discomforts of living aboard, we have a home that promotes the important things in life: family, friends, community and daily random encounters with the public that sometimes turn into long-term friendships... in other words, the relationships that nurture our souls. 

Have you ever lived in a place with a personality? Have random acquaintances enriched your life? Do you know how to scull a dinghy? I would love to hear from you. Come and join the silliness at https://www.facebook.com/SarahBrabazonAuthor

Captain Haddock, Flotsam and Jetsam win the sculling race in the Australian Wooden Boat Show. Photo Dave Plumley

Thursday, June 9, 2011

Horseback Riding and Canoeing in NYC? You bet!

A day in Central Park
Tourists traditionally associate New York with skyscrapers, Broadway shows, and Fifth Avenue shopping rather than horseback riding, rock climbing, or canoeing. Yet all of these seemingly unlikely NYC activities are available in the middle of Manhattan – in Central Park, the first urban landscaped park in the United States.
Originally conceived in the early 1850s by the wealthy Gothamists as an answer to Europe’s belief that Americans lacked appreciation for cultural refinement, the project spanned more than a decade and cost more than ten million dollars. The New York high society embraced the idea of a charming, perfectly manicured Euro-style public ground where they could “be seen,” socialize, and enjoy their carriage rides. Thus, the city acquired about 800 acres of land in the middle of Manhattan deemed unsuitable for commercial building.

Bike Rentals in Central Park

Back then it was a rocky, swampy, yet quite inhabited piece of land with a population of over 1,500 people, including renters, squatters, an African-American settlement, a school, a convent, and three churches. But the city authorities had spoken and so all of the residents were evicted to make room for the common good. While the homeowners were paid for their property, many believed their compensation was far below the actual cost of their homes.
Commenced in 1857, the park’s construction was led by the superintendent Frederick Law Olmsted and architect Calvert Vaux. Bridges were constructed to integrate into the surrounding landscape, swamps were drained and converted into lakes, and four roads were built to carry the cross-town traffic below park level. Built by Irish, German, and English laborers who were paid about a dollar a day (talk about cheap!), the park was opened to public in 1858 – that winter, wealthy New Yorkers went ice-skating on its 20-acre lake.
Park entrance at Columbus Circle

Located too far uptown for the working class, the park remained the destination of the wealthy during its first few years. Although Saturday concerts attracted the middle-class, taking the subway was too much of an expense for blue collar workers who didn’t benefit from the park until years later.
In the beginning of the twentieth century and following Calvert Vaux’s death, the park slipped into decline due to lack of dedicated maintenance effort. The authorities did little to replace dead trees or prevent littering – until Fiorello La Guardia was elected the mayor in 1934 and charged Robert Moses, the master builder of New York, with the task of cleaning out the decaying relic.
Within a year, Central Park underwent a major facelift: flowers were replanted, dying plants replaced, and bridges repaired. It also made a kid-friendly shift – despite the heavy opposition that insisted that the park was to provide a countryside escape rather than a child-rearing facility, the first playground equipped with jungle gyms and slides was installed. Moses envisioned the park as a great place for recreational activities, so he constructed 19 playgrounds, 12 ball fields and handball courts, and one of the largest merry-go-rounds in the country. He also drained the obsolete Croton Lower Reservoir, turning it into the Great Lawn, which later hosted performances by Diana Ross, Bon Jovi, and Garth Brooks as well as annual concerts by the New York Philharmonic and the Metropolitan Opera. The Public Theater's annual Shakespeare in the Park festival commenced in 1961 and summer performances took place on the Sheep Meadow.

Pedicabs are illegal in Central Park - according to the latest
NYC legislature, but continue to be a thriving business!

In the 1970s, the park became a venue for events of unprecedented scale, including political rallies and demonstrations. Coincidently, it also suffered another decline. Due to budgetary constraints, gardens were left unattended, statues were covered by graffiti, and the homeless moved in, bringing along petty and sometimes not so petty crimes. People began to avoid the park, especially after dusk. Luckily, a renaissance ensued: in 1980, The Central Park Conservancy, a private, not-for-profit organization was founded with the mission to restore, manage, and preserve this urban gem. As of 2007, the conservancy had invested approximately $450 million for park restoration and management. 
Going with the traffic

Nowadays, Central Park provides a nature escape in the midst of the urban metropolis as well as a recreational oasis. Couples, sunbathers, and yoga enthusiasts sprawl on the park meadows with their pets, carriages, and mats. The park's rock outcroppings attract climbers. The Loeb Boathouse rents out rowboats and kayaks. The horse carriages, which can be found all around the area, offer historical rides. Horseback riding is permitted year-round - the recently rebuilt Central Park bridle path is more than six miles long and the Bronx Riverdale Equestrian Centre rents out horses.
Going against the traffic
In winter the park boasts two ice skating rinks, one of which converts into an outdoor swimming pool once it gets warm. In summer it hosts free chess sessions with local grandmasters who play on 30 boards at a time. Much beloved by both children and adults is the Central Park Zoo, which features daily sea lion feedings and hosts a chilled penguin house, a Polar Bear pool, and an indoor rainforest where tropical birds walk over to visitors to be petted. And, of course, there is “street theater,” practically never mentioned in official guidebooks but happening all over the park. It ranges from musicians to mimes and from magicians to the “New York neighborhood acrobats” who twirl on their heads, dance on their hands, and prove to their spectators that “white men can’t jump.”

Parked at the park